eric-wainaina-Revered Kenyan singer Eric Wainaina has added his opinion to the inconclusive debate about Nigerian music receiving a lot of airplay locally.

In a lengthy thought provoking article, the award winning musician urges Kenyan artists to direct their energy towards writing good songs instead of holding street demonstrations to demand for airplay.

The singer penned the article titled ‘Does Kenya really have a Naija music problem?’ on ‘Okay Africa.’ He argues that the recent campaign to  stop international music from being aired locally would not solve anything.

“The story is often told about the mother cheetah who comes back home from the hunt to find her cubs have been trampled to death by elephants. Knowing that she is no match for these giants, she blames and kills a herd of goats. Similarly, when a group of Kenyan musicians took to the streets last week calling for less Nigerian and Tanzanian music, they were killing goats. The elephant in this case is history. However, not even history is a match for innovation,” Reads part of the article.

He goes on to opine,

“When Kenyan artists march the streets asking for more airplay, what do they really mean? Surely they don’t mean a total ban? Where would we be without Stevie? Michael Jackson? The Beatles? Who wants to live a life without Beyoncé?”

Describing Najia music as brazen, the Nchi Ya Kitu Kidogo hit maker says,

“Naija music is brazen. It is not timid or full of angst. It walks into the club grabbing its crotch with its recreated sound of old turned over on its head, with easy lines and catchy hooks shotgunned by a thumping, ear-whomping, pulsating four-to-the-floor kick drum that grabs you, shoves a beer down your throat and promises you that tonight you will get lucky. And it comes with all its friends. When a Naija song plays, it’s charging at you through the speakers riding on the reputations of all of Nigerian Highlife, Fela, King Sunny Ade, Majek Fashek, and more recently P-Square, 2face and D’banj. Add to that the dizzying pace at which they release new material and you’ve got a tsunami. Maybe Kenya has suffered from not having an all-embracing identity genre that helps artists ride on each other’s shoulders.”

You can check out the rest of the article HERE.